| 16 July - 9 August 2008Si c'est  (if it is)
 Fiona  Amundsen & Tim Corballis
 Opening preview: Tuesday 15 July 2008,  5.30pm Si c’est (if it is)is a collaboration between Fiona Amundsen  and Tim Corballis, based on a sustained investigation of a specific urban site:  Wynyard Point (also known as the Tank Farm), a now largely demolished part of  Auckland’s industrial waterfront. The project creates a series of works in two  different formats—photographs and written text(s)—that relate  artistically/aesthetically, while avoiding the primacy of one form over the  other which is found in the standard text-photo relationships, caption and  illustration. Si c’est works with  the unavoidable lack of equivalence between text and photo, and with their  irreducible differences: linear vs. planar, created vs. recorded, implicitly  vs. explicitly narrative. In this regard, Amundsen’s photographs which question  and ironise any ‘scientific’ view of place will be juxtaposed with Corballis’s  invented interviews of tangential relevance to the site, which in themselves  are reminiscent of oral-histories or courtroom cross-questioning. Disrupting our attempt to understand the site under investigation,  each artist’s work brings into focus the subjectivity behind their attempts.  The juxtaposition of these two forms of documentation further complicates our  view suggesting at least two (eye and voice), or possibly multiple subjectivities,  as the audience reads back and forth between photographs and texts. Indeed,  throughout this exercise if Si c’est reveals anything about Wynyard Point, it is that such sites can at best be  viewed partially, through a range of fragmented views that refuse synthesis. Auckland-based artist Fiona Amundsen graduated with a Bachelor of  Arts (in Social Anthropology) from the University of Auckland before continuing  at the University of Waikato, graduating with a Bachelor of Social Science with  Honours in Anthropology and a Master of Social Sciences in 2005. She currently  lectures in Art Theory/History and Photography at Auckland University of  Technology. Recent solo exhibitions include Miracle on the Han River, Changdong Studio  Gallery, Seoul (2008), Garden Place, Roger Williams Contemporary, Auckland (2006); Garden Place, McNamara Gallery, Wanganui  (2006); Time Trials, Canberra  Contemporary Art Space, Canberra (2004). Selected group exhibitions include Primary Products, Adam Art Gallery,  Wellington (2007); Telecom Prospect 2007:  New Art New Zealand, City Gallery, Wellington (2007); Contemporary New Zealand Photographers, Starkwhite, Auckland  (2005); Slow Release, Heide Museum of  Modern Art, Melbourne (2002). Wellington-based writer Tim Corballis is the author of the  novels Below (VUP, 2001), Measurement (VUP, 2002) and The Fossil Pits (VUP, 2005) as well as  numerous short stories, essays and reviews in magazines, newspapers, literary  journals and anthologies. He was awarded the Adam Foundation Prize and a Modern  Letters Fellowship for his work in 2000 towards the MA in Creative Writing at  Victoria University of Wellington and in 2003 was listed amongst the top ten  New Zealand writers under 40 by the New Zealand Listener. In 2002 he was the  Randell Cottage Writer in Residence, and in 2005 - 2006 he spent a year in Berlin  as the Creative New Zealand Berlin Writer in Residence. He was a judge of the  Montana New Zealand Book Awards in 2008. Corballis is currently editing  Landfall 216 on the theme of ‘utopias’, working on a novella (possibly the  first of a series) which concerns early English psychoanalyst Joan Riviere, and  beginning a PhD dissertation on Frankfurt School aesthetic theory in the New  Zealand context.  During the  conversation sustained in the lead up to this project for The Physics Room, Amundsen  and Corballis also collaborated on a  series of page works for Enjoy’s recent publication, Public Good (2008). Issues of Public Good will be available via The  Physics Room during the exhibition of Si  c’est (if it is).  
 Si c'est (if it is) Fiona Amundsen, Tim Corballis &  Marnie Slater in conversation at The Physics Room
 Monday 14 July 2008, 7pm
 
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